But a low pass filter/high cut and set it somewhere between 12-15khz, depending on how bright you want your guitars.This will make room in the low end for the kick I would even go up to 100-150 if you also have a bass guitar in the mix. Put a high pass filter/low cut on and set it at around 80-90hz.Select both guitar tracks and right-click - 'Add bus for selected channels'.Record two guitar tracks and pan them left and right, opening up the middle a bit.Without hearing the mix I can't give specific advice, but here are some general tips: More elaborate answer - An unmixed guitar track is going to cover your entire frequency spectrum like a blanket, making it really difficult to balance the drums and guitar in the same space and not have one overpower the other.Īddictive Drums come stock with presets that already include EQ and compression, so we'll assume that the drums are where they need to be, and the guitars need to be adjusted in order for them both to fit. But the result is the same, a mushy mix without much definition.ĭo you have any tips for me? Is there something obvious I am missing? I also tried using my boss katana mic'd up to see if the guitars were the problem (also the obvious stuff like less gain etc too).

I also tried panning the drums and tried different presets. I humanized the drum track with the option in studio one. I tried bumping up the velocity of the drum parts. The thing I notice is, the drums disappear in the mix almost instantly. I grab my trusty 4 or 6 string, load up Bias Amp, dial in a cool tone and start recording. BOOM, cool drumtrack, try out different drumkits etc. I put them on the AD2 track and change the mapping. To get them in Studio One I export the midi track and drag them into studio one. I write my music in guitar pro, especially the drums. I bought Addictive drums 2 because I heard good things about it. I'm starting the wonderous world of homerecording, loving it so far!

Addictive drums 2 midi map guitar pro